2025 Festival Classes Week 1

Participants who have registered will receive a link to choose their classes. (coming soon!)
Pitch for classes is A=440 unless otherwise noted.

 

Early Morning Class Period: 9:00 - 10:30 a.m.

 

Early Notation Ensemble: Mensural Notation of the 15th and 16th Centuries with Wendy Powers

Open to recorders, viols and other soft instruments (flute, lute, and others).

 

Newe Day, Newe Songs: Secular Polyphony from the Collections of Hans Ott with Lisa Solomon

Open to all voices and instruments.

 

The Art of Recorder Consort Playing: Turning Notes into Music

With Teresa Deskur, Na’ama Lion, Larry Lipkis; for all levels of recorders

 

Renaissance Recorder Consort

With Miyo Aoki, Rainer Beckmann; for players familiar with Renaissance recorder fingerings who own or can borrow Renaissance consort recorders (for example Prescott, Livirghi, Ohanessian)

 

Mattheson Recorder Sonatas with Rachel Begley

For intermediate to upper-intermediate recorders

 

Recorder Master Class for Baroque Academy and Central Program with Saskia Coolen

Perform in class with permission of the instructor, auditors welcome.

 

Baroque Flute Master Class with Kathie Stewart

Perform in class with permission of the instructor, auditors welcome.

 

Oboe Band with Meg Owens

For experienced oboes, tailles, and bassoons

 

Maximilian's Triumph - the musical renaissance at Innsbruck

With Mary Springfels, Arnie Tanimoto; open to viols. Pitch: A= 415

 

As Easy As “Ut Re Mi”: Solmization, Musica Ficta, and the Fingerboard with Mark Rimple

For lutes.

 

Gems of the German Baroque - Harpsichord Masterclass with Kathryn Cok

For keyboard players.

 

Baroque Academy Viol Master Class with Sarah Cunningham

Audit only.

 

Baroque Academy Cello Master Class with Rainer Zipperling

Audit only.

Baroque Academy Violin Master Class with Aisslinn Nosky

Audit only.

Baroque Academy Violone/Double Bass Master Class with Heather Miller Larind

Audit only.

Baroque Academy Harpsichord Master Class with Peter Sykes

Audit only.

Baroque Academy Lute Master Class with Paul O'Dette

Audit, or perform with permission of the instructor.

Baroque Academy Vocal Master Class with Jennifer Ellis Kampani

Audit only.

 

Coffee Break 10:30 - 11:00 a.m.

 

Late Morning Class Period: 11:00 a.m. - 12:15 p.m.

 

Baroque Orchestra: Music of Telemann and Fischer, with Frances Blaker

Open to all Baroque instruments at A=415.

 

Collegium: “A Little Mustard, Please!” with Lawrence Lipkis

Open to all instrumentalists and singers.

 

Lute Ensemble: 15th Century Polyphony from the Lochamer Liederbuch and Buxheim Orgelbuch, with Mark Rimple

For lutes; harpists and other instrumentalists interested in this repertory also welcome.

 

Lute Masterclass: Renaissance Lute Topics with Christopher Morrongiello

For lutes.

 

Klavierbüchlein with Alissa Duryee

For harpsichordists.

 

Early Afternoon Class Period: 1:45 p.m. - 3:00 p.m.

 

Early Notation for the New or Rusty Reader with Miyo Aoki

For those new to reading early notation.

 

Sibyl of the Rhine: Chants from Hildegard’s 13th Vision, with Tracy Cowart

For singers.

 

Renaissance Recorders Consort

With Rachel Begley, Wendy Powers; for players familiar with Renaissance recorder fingerings who own or can borrow Renaissance consort recorders (for example Prescott, Livirghi, Ohanessian).

 

So Suite! with Rainer Beckmann

For advanced recorders.

 

Ich habe das schon einmal gesehen (‘I’ve seen this before) with Eric Haas

For intermediate recorders, voices, and viols.

 

Early Baroque Dance Music from Germany with Larry Lipkis

For intermediate to upper-intermediate recorders.

 

Schhhhh: Schütz, Schein, and Scheidt with Patricia Petersen

For intermediate and up recorders.

 

Anna Bon and Friends: Music of the Prussian Court, with Na'ama Lion

For upper-intermediate and advanced Baroque flutes at A=415

 

Baroque Bassoon Master Class with Wouter Verschuren

Perform with permission of instructor, auditors welcome. Pitch: A=415.

 

Baroque Oboe Master Class with Meg Owens

Participants should plan to perform, auditors welcome. Pitch: A=415.

 

Loud Band with Sian Ricketts

For upper-intermediate to advanced shawm, cornet, sackbut, and dulcian.

 

Soldiers of the Reformation with Mary Springfels

For intermediate viols at A=415.

 

Bach Chorales and Chorale Preludes with Arnie Tanimoto

For advanced viols at A=415.

 

Viol Consort: Frescobaldi and Friends with Rosamund Morley

For upper intermediate to advanced viols.

 

German Lute Sources from the 16th and Early 17th Centuries with Christopher Morrongiello

For lutes.

 

Lute Topic class with Paul O'Dette

For lutes.

 

Mixed Style Ornamentation with Peter Sykes

For harpsichord and other Baroque instruments. Pitch A440 and 415.

 

Late Afternoon Class Period: 3:30 p.m. - 4:45 p.m.

 

Baroque Ensembles

For advanced treble and basso continuo players who are musically and technically prepared to explore challenging repertoire.

 

Making It Up: 14th- Early 16th c. Ensemble Collaboration Lab with Mark Rimple

For lutes and other early plucked instruments, singers, harpists, recorders, and vielles.

 

Early Notation: Let Us Pray with Patricia Petersen

For recorders, singers, and viols.

 

Be a Bass Boss! Bass Recorder Technique and Repertoire for all Bass Sizes with Tish Berlin

For intermediate bass and larger recorders

 

Nach Englischer Art with Miyo Aoki

For upper-intermediate to advanced recorders.

 

Renaissance Flute Consort: Musica Teutsch with Eric Haas

For Renaissance flutes.

 

Dulcian Ensemble with Wouter Verschuren

For upper-intermediate to advanced dulcians.

 

“Ludi Musici” with Heather Miller Lardin

For advanced viols, pitch A=415.

 

"Been There, Done That" with Mary Springfels

For viols, lutes, vielles, and harps, pitch A=440

 

Strictly Funck with Arnie Tanimoto

For intermediate to upper intermediate viols, pitch A=415.

 

Aspects of Renaissance Lute Technique and Practicing with Chrstopher Morrongiello

For lutes

 

Percussion with Spiff Wiegand: Dum Without Doom!

All are welcome!

Festival FAQs

TRAVEL
Muhlenberg College: 2400 Chew Street, Allentown, PA
Closest Airport: Lehigh Valley International Airport (ABE), is approximately 7 miles from the Muhlenberg campus.
Trans-Bridge Lines offers service from the Port Authority Bus Terminal in NYC, and Newark Airport to the Allentown Transportation Center, 603 Linden Street, Allentown, PA (2.3 miles from campus)
Greyhound offers service from Philadelphia to the Allentown Transportation Center.

MEALS
The meal card is $280 and covers one week of meals starting with dinner on Sunday, June 29, (July 6 for second week) thru breakfast on Sunday, July 6, (July 13 for second week).

ROOMS
All standard rooms are air-conditioned. Budget rate housing is not air-conditioned, with hall baths. Basic linens (sheets, pillow, and towels) are included with all housing. Beds are twin, extra long.
Standard rooms with private baths are in Taylor Hall. Standard rooms with hall baths are in Martin Luther Hall, Kitchenette Suite rooms are in South Hall. Budget (non-ac) rooms are in Brown Hall.