Medieval Music Theory with Karen Cook

Four Wednesday Sessions: April 22, 29, May 6 and 13 
1:00 - 2:00 p.m. ET

Folks who have studied or performed any kind of medieval repertory are likely at least a little familiar with some of its basic musical features, its sounds and styles. But how does it work – or, more appropriately, how did the medieval theorists living and breathing this music think that it worked? 

We’ll dig into the theoretical underpinnings of medieval music, from the eleventh through the fourteenth centuries, discussing a few of the biggest theoretical concerns of the day: pitch, consonance, intervals, rhythm, and mensuration. We’ll read through translated excerpts from a host of medieval theorists and explore the repertory that they themselves discuss alongside other contemporaneous musical works. Students are encouraged to bring their own questions and interests to the table, as well as any repertory or theorists they’d like to see explored if we’re able.