Medieval Project with Benjamin Bagby

Codex Las Huelgas: A Medieval Treasury for Singers

July 7-14, 2024

Union College
807 Union Street
Schenectady, NY 12308
United States


Benjamin Bagby - (course director) voice
Lisa Solomon - voice
Lawrence Rosenwald - language, pronunciation, rhetoric, interpretation

1.) The Codex Las Huelgas: an early 14th-century international anthology of religious vocal music, monophonic and polyphonic
2.) The Cantigas de Santa Maria compiled by King Alfonso X of Castile (13th century)
Audition due date April 15



The Cistercian convent Las Huelgas de Burgos was founded in 1187 by the Castilian King Alfonso VIII and his wife, Eleanor of England (a daughter of Eleanor of Aquitaine). From its beginnings, it was a magnificent royal monastic house, its church a burial place for the kings and queens of Castile, enjoying exceptional civil and ecclesiastical privileges, endowed with rich lands and wealthy beyond measure. In 1257, during the reign of King Alfonso X 'the Learned' (el Sabio), the community consisted of one hundred noble choir nuns (dueñas de velo), women from the most powerful families in the realm, as well as forty  aristocratic girls being schooled by the nuns (niñas de hijasdalgo), with forty lay sisters attending to them. There was a community of priests (including a schola cantorum), Jewish physicians, Mudejar (free Muslims living under Christian rule) administrative officials, teachers, surgeons, gardeners and stone masons. The architectural style of the convent displays a unique blend of Gothic and Islamic elements, and even in the royal tombs there were silk and muslins from Mudejar and North African ateliers, sometimes bearing inscriptions in Arabic, covering the remains of crusading Christian kings and their queens.

Sometime in the early 14th century, the scriptorium of the monastery assembled a unique parchment manuscript containing vocal music which was designed to amplify and adorn the  Gregorian Chant sung in the mass and offices. This manuscript, known today as Codex Las Huelgas, has never left the monastery since its creation. It is an unassuming book containing 170 folios, meant for consultation by the most elite singers who wished to refresh their memories in preparing the liturgy for the following day. A treasure-trove of monophonic and polyphonic vocal art, the codex contains a wide-ranging repertoire of religious vocal music, including concordances with 12th century Aquitaine, Notre-Dame de Paris, and more recent compositions from the 13th century. There are also pieces by local composers, reflecting the spirit of the times, sometimes re-working French originals to suit local taste, and reflecting a lively musical scene in the church, the cloister school, and the scriptorium.

This course will examine some highlights from this revelatory medieval source: polyphonic conductus and motets, tropes on chant for the Mass, solo death laments for Castilian nobles (men and women), long meditative prosae for solo voice, celebrations of the saints, and of course, music for the ever-present Virgin Mary.

To complement this work, we will look also at several of the miracle-stories set to music in the reign of Alfonso 'el Sabio', the collection of Cantigas de Santa Maria, sung in the dialect of Galicia, and certainly well-known to the nuns of Las Huelgas.

Course participants should be trained vocalists at an intermediate to advanced level. Prior experience with medieval music is not necessary, but excellent pitch control and a good rhythmic sense are essential skills. The notation of the manuscript will be explained, and those who already have some experience with medieval notation will have the option to work from the original manuscript (but this is not necessary). Pieces will be assigned according to the needs and abilities of each participant.

Audition Due date

April 15, 2024


Benjamin Voice Harp
Lisa Voice

Festival FAQs

Union College
807 Union Street, Schenectady, NY 12308
Close to a major airport (15+ minutes from Albany International Airport), accessible by Amtrak (station is 1 mile from Union College) and Megabus, Union College is 3 hours away by car from NYC and Boston, and 4 hours from Montreal.

The meal card is $178 and covers one week of meals starting with dinner on Sunday, June 30, (July 7 for second week) thru breakfast on Sunday, July 7, (July 14 for second week) .A la carte meal prices are $6.75 / $9.50 / $10.50 for breakfast, lunch, and dinner

All standard rooms are air-conditioned with private baths. Budget rate housing is not air-conditioned, with hall baths. Basic linens (sheets, pillow, and towels) are included with all housing. Beds are twin, extra long.


COVID-19 Policy

The COVID virus is still with us, though happily most people will only get mildly sick if infected. The Festival is a congregate living environment, with a population ranging in age from 1 to 90+ where we live, play music and dance together for several days. Our main approach to preventing Covid will be testing, and, like last year, we need everyone to test and to let us know if they experience symptoms.

Rapid testing is required to attend the Festival for all participants, faculty, and staff. Take an at-home COVID test the day before arrival at Union College, and a second test the morning of arrival. Two-week students take a third test on Saturday July 6. Send a photo of your tests to Click here to show mail address before you arrive on campus. Bring extra tests in case you develop symptoms during the week. (visit… see a list of symptoms)

Masking is optional. Masking decisions are personal and will be respected.

Vaccinations and boosters are encouraged but not required. Anyone with symptoms, or feeling unwell should notify us immediately, and not attend any classes or events. Self evaluation: Before coming to the Festival if you are experiencing symptoms that may indicate Covid, regardless of test results, DO NOT COME. Notify us right away. Anyone who tests positive for Covid at the Festival will be moved to a room in an isolated wing, and have cafeteria meals delivered, or could leave campus.

If you are experiencing symptoms of COVID before arrival, please do not come to the Festival until your symptoms abate and you have tested negative twice over two days. f you begin to experience symptoms of COVID while at the Festival we will ask you to isolate or leave campus until your symptoms abate and you have tested negative twice over two days

(Updated May 22, 2024)

Medieval Project Audition Requirements

To apply for the Codex Las Huelgas Medieval Project with Benjamin Bagby, please submit the following on AEM's audition portal, in addition to a $30 application fee:
1. Include a recording of at least one Medieval solo song or Gregorian chant.
2. Please do not send recordings of polyphony where you sing an inner voice.
3. You may include one later piece if medieval music is not possible. A folk song would also be fine.
4. Accompaniment not necessary. Let us know however if you play an instrument.
5. Include resume, especially mentioning your previous experience in medieval music, if any.